• The cover of the book Black No More

    Black No More

    In his provocatively timeless novel Black No More, George S. Schuyler offers readers a daringly satirical portrait of race in America. Centered around the ambitious yet systematically hampered Max Disher, Schuyler’s “Black Mirror”-esque narrative begins with Max’s decision to undergo a new and mysterious treatment at the Cookman Sanitarium that promises patients the ability to “change [from] Black to white in three days.” Eager to cast off the limitations of racial oppression, Max checks into the Sanitarium and emerges shortly after as a white man. Black No More follows Max – who changes his name to Matthew Fisher after his stay at the Cookman Sanitarium – as he navigates the world of whiteness and the cost he pays for the opportunity to obtain what was once out of reach. A chilling and speculative commentary of America’s past and present, Black No More possesses the passion of W.E.B Du Bois and the terror of “Get Out.” This novel will make you think about Blackness and whiteness in a new way.

  • The cover of the book The Blacker the Berry . . .

    The Blacker the Berry . . .

    When Emma Lou Morgan finally escapes the suffocatingly small-minded hometown of Boise, Idaho and the cruelty of her classmates at University of South California, she sets her sights on Harlem. Scorned for being darker than her parents and those around her, Emma Lou yearns to feel at home not just in her community, but in her own skin. Tired of the lifelong discrimination she’s received from others – white and Black alike – due to the dark hue of her skin, Emma Lou is certain that Harlem is the home she’s been searching for. Eventually, she gets the chance to make her dream come true and shortly after settling into Harlem, her hope gradually dissolves into disappointment despite the rent parties, jazz clubs, and lovers who fail to fully ease the pain of colorism. An unblinking critique of discrimination within the Black community and our nation’s legacy of prejudice, Wallace Thurman’s The Blacker the Berry documents a woman’s journey toward self-acceptance and autonomy.

  • The cover of the book Not Without Laughter

    Not Without Laughter

    The compelling debut novel of the legendary Langston Hughes, Not Without Laughter is a breathtaking bildungsroman that gives readers a heartwarming glimpse of the complexities of Black boyhood, identity, and a family and nation in a moment of historic transition. Set in Kansas, Hughes narrative centers around Sandy Rogers, his family, and their respective pursuit of their dreams. While his mother, Annjee, works tirelessly cleaning the home of a rich white family and his father, Jimboy, attempts to keep the family afloat by searching for work wherever he can find it. Shaped by the anxieties and hopes of his family, Sandy grapples with what it means to be Black and be a man in America. Vibrantly honest and gripping, Not Without Laughter is a novel meant to be read again and again.

  • The cover of the book Amiable with Big Teeth

    Amiable with Big Teeth

    Discovered in 2009, the final novel by Harlem Renaissance powerhouse Claude McKay is a timely tale about politics, resistance, and an often overlooked chapter of American history. Initially rejected by his publisher, McKay’s novel is set in Harlem during the heels of the Italian occupation of Ethiopia. Comprised of impassioned prose and recognizably realistic characters, Amiable with Big Teeth is a compelling examination of elitism, privilege, and the difference between politics and praxis. A necessary addition to the literary canon, this nearly lost novel is the perfect read for times like this.

  • The cover of the book Passing


    Originally published in 1929, Nella Larsen’s literary classic Passing begins with the novel’s protagonist, Irene Redfield, and the arrival of a letter from an old friend Clare Kendry. When Irene decides to meet up with Clare and the two discuss their lives, she discovers that Clare has been passing as a white woman abroad. Because of this, and Irene’s complexion, Clare’s husband, who is white, assumes that she isn’t Black. Although the encounter ends with an apology from Clare, whose husband momentarily remains none the wiser, this moment sets into motion an irreversible course of events that alter’s both Irene and Clare’s lives and their relationship. Through the voice of her omniscient narrator, Larsen’s monumental novel is a heart-wrenching reflection on class, race, and friendship.

  • The cover of the book Ordinary Light

    Ordinary Light

    With warmth and heart, U.S. Poet Laureate Track K. Smith’s memoir is an immersive vivid remembrance of Black girlhood, family, and faith. Throughout Ordinary Light, Smith explores the way religion, class, and race can shape an individual’s perception of who they are and who they want to become. Throughout the pages of this deeply earnest memoir, Smith presents her audience with a memorable and enlightening account of a life that fostered one of contemporary literature’s greatest voices.

  • The cover of the book The Bluest Eye

    The Bluest Eye

    Toni Morrison’s debut novel The Bluest Eye introduces readers to Pecola Breedlove, a girl with a turbulent family life who wants more than anything to be beautiful. For Morrison’s protagonist, beauty offers the promise of salvation from the horrors of the world she lives in and an escape from her abusive father. Nightly, she prays for blue eyes, “story book eyes,” the sort of eyes that might keep others from doing her harm. Yet as the novel progresses, the chaos of Pecola’s life persists. A harrowing story about childhood, trauma, and survival, The Bluest Eye is a difficult yet necessary book. Like all of Morrison’s work, this novel sheds light on how racism can wound a person and how community can serve as a balm.

  • The cover of the book The Salt Eaters

    The Salt Eaters

    When Minnie Ransom, a local healer, asks Velma Henry, a mother, wife, and activist, if she “wants to be well,” readers of Toni Cade Bambara’s first novel will find themselves thinking about their own state of wellness—psychological and physical alike. A courageous meditation on Black womanhood and the toll of emotional labor, heartbreak, and political activism, Bambara’s protagonist is forced to come to terms with her mental health, the movements toll on her sanity, and the importance of caring for oneself. Laced with magical realism and folklore, The Salt Eaters will make you consider how much of yourself you’re willing to sacrifice for the sake of others.

  • The cover of the book Mama Day

    Mama Day

    In Gloria Naylor’s third novel, the power of desire and magic take center stage. Awash in luminescent prose, Mama Day tells the story of the Day family and the women whose foresight, hope, and courage are a steady anchor in the lives of their loved ones and community. Through Sapphira, Miranda, Abigail, and Ophelia, Naylor conjures a poetic and timeless tale that celebrates the strength and wisdom that is synonymous with Black womanhood. Reminiscent of Julie Dash’s Daughters of the Dust and the poetry of Lucille Clifton, Mama Day is an ode to the strength of the human heart. Its pages will spellbind you.

  • The cover of the book Gather Together in My Name

    Gather Together in My Name

    The iconic Maya Angelou’s second memoir, the celebrated poet revisits the latter years of her adolescence. Extending the journey that began with I Know Why the Caged Bird Sings, Gather Together In My Name is an honest account of a young woman in search of her place in the world. Deeply sincere and at times heartbreaking, Angelou’s words allow her audience the ability to witness the struggles and joys of motherhood, the blossoming of independence, and the awakening of a woman who’s voice would define her generation. It’s a crucial addition to any reader’s bookshelf.