There have been times that music didn’t feature heavily in my creative process, but those have been rare and far between. For the most part, music has been both a muse and a signal to my brain that playtime is over. Flip that music switch and the psyche knows it’s time to go to work.
Unfortunately, music has also been a double-edged sword because, while it has been integral to getting the writing done, it can also be very distracting. When I first started writing, I learned quickly that almost anything I loved to listen to throughout the day was disastrous when putting words on the page. For example, with a few exceptions, songs with lyrics had to get cut from the playlists. Movie soundtracks and classical music—which both seem like plausible alternatives—got the ax, too.
This put me on a perpetual trial-and-error quest to find music capable of lighting up just the right neurons. In the early years, Goa and psytrance were my go-to fallbacks. Apocalyptica (heavy metal cello) and Bond (string quartet) were also high up on that list, as was Enigma. But the problem was, once I found something that worked, I’d repeat it on an endless zoned-out loop, day after day, for weeks, for months, until the book was finished. Once I came out of the writing fugue, I could never write to that music again and so the quest for a new music muse would start fresh with each project.
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And then magic happened. A reader-fan-friend, in sharing music that came to mind as she read the Vanessa Michael Munroe stories, introduced me to a piece by E. S. Posthumus. I loved it enough to buy the whole album and, when I’d burned through that and went searching for more, I stumbled into a world of epic music that I had no idea existed. For the past several years Two Steps from Hell has kept my music muse in business. And for the curious among you, my favorite albums of theirs are Invincible and Archangel.
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