• The cover of the book Three Strong Women

    Three Strong Women

    NDiaye was the first woman to win the Prix Goncourt, which includes Simone de Beauvoir among its honorees, for her story of three women whose lives cross back and forth between France and Africa. While toxic boyfriends, merciless in-laws, and estranged fathers are the various impetuses for these journeys, it’s how Fanta, Khady, and Norah wrest back control that makes them such compelling examples of feminine fortitude.

  • The cover of the book The Lady of the Camellias

    The Lady of the Camellias

    Turns out talent runs in the family, and just as dark: Alexandre Dumas’s son (who went by the same name, with the suffix fils) wrote La Dame aux Camélias, a thinly fictionalized account of his affair with mistress Marie Duplessis. Like Duplessis, the tragic heroine Marguerite Gautier—who wore a white camellia to advertise her availability to potential suitors, and a red one during her time of the month—breaks poor Armand Duval’s heart before succumbing to consumption. Love was rough in the 1800s.

  • The cover of the book Paris in the Fifties

    Paris in the Fifties

    It’s hard to believe that one man could have been in the right place at the right time, but Karnow’s memoir of his decade-plus as Time magazine’s Paris correspondent reads like a who’s who of the luminaries who passed through the City of Light. If you want to learn about haute couture and haute cuisine from the experts, Karnow is the man to impart that wisdom.

  • The cover of the book Madame Bovary

    Madame Bovary

    Imagine a novel that even the French needed to censor. Despite its classic status, Flaubert’s novel still shocks readers with its depictions of Emma Bovary: constricted by her dull marriage in northern provincial France, she embarks on a series of heady, erotic affairs with all manner of inappropriate men. Madame Bovary also proves that the most scandalous stories don’t all have to take place in Paris.

  • The cover of the book The Hunchback of Notre-Dame

    The Hunchback of Notre-Dame

    Hugo’s intention was to raise awareness about the neglect and defacement of Gothic architecture, but his classic is perhaps better remembered for the characters inside Notre-Dame: deformed bell-ringer Quasimodo, his corrupt adopted father Archdeacon Claude Frollo, and the mesmerizing dancer Esmerelda. Then again, he does make you envision the light coming through the stained-glass windows just right.

  • The cover of the book The Necklace and Other Tales

    The Necklace and Other Tales

    Second only to Shakespeare in terms of his body of work, Maupassant penned around 300 short stories about class, money, and sex. One of the most well-known, “The Necklace,” concerns a fraught friendship in which one woman borrows another’s expensive necklace, only to lose it and go into poverty to replace it. But Maupassant was also known for his twist endings and social commentary. This collection amasses 30 stories, split into three sections: Tales of French Life, Tales of War, and Tales of the Supernatural.

  • The cover of the book Wine and War

    Wine and War

    You’ve heard stories of various cities safeguarding their priceless art from the Nazis during World War II, but perhaps it comes as no surprise that the French were equally protective of their wine. This compelling account from the Kladstrups—who later charted the bubbly rise of champagne throughout history—examines how the French ingeniously hid the plants and bottles while maintaining their dignity through a time of entire identities being erased.

  • The cover of the book Perfume


    An orphan born with a prodigious sense of smell and run down by the streets of Paris, Jean-Baptiste Grenouille becomes obsessed with mastering the art of perfume-making in Grasse and bottling up the perfect essence of the lovely young women who cross his path. As his need to preserve these smells turns into a bloodlust—scentlust?—Grenouille perfects a scent to give him control over the society that would have left him on the street to die.

  • The cover of the book Chocolat


    Chocolate would be a dangerous indulgence in the small town of Lansquenet-sous-Tannes, controlled as it is by the local priest, at any time. But when the daring Vianne opens a chocolaterie at the start of Lent—and quickly entices several regulars—she sparks a battle of self-denial versus self-gratification.

  • The cover of the book The Billionaire's Vinegar

    The Billionaire's Vinegar

    We know that wine bottles can be valued at outrageous sums, but is a single bottle worth over $150,000? If it possesses a history that traces back to the Nazi occupation and Thomas Jefferson, perhaps. Wallace traces the mind-boggling heritage of this particular bottle through the auctioneers, tasters, and businessmen who were bent on finding out if it was a long con or if it was just really that good.

  • The cover of the book Anna and the French Kiss

    Anna and the French Kiss

    While Perkins’s debut novel is vicarious fun for anyone who wishes they could have spent a year studying abroad in Paris, she also touches upon the less exciting aspects of spending your last year of high school with strangers—namely, struggling to communicate in a language you can barely grasp and trying not to get too distracted by a hopeless crush on a charming French boy who goes by St. Clair. French kisses aren’t as easy as they’re made out to be in the first of Perkins’s YA romances.

  • The cover of the book The Lady and the Unicorn

    The Lady and the Unicorn

    As she did in Girl with a Pearl Earring, Chevalier traces the legacy of another enthralling piece of art: six tapestries depicting a maiden and the mythical creature linked to her purity. Hanging today in Paris’ Musée de Cluny, the tapestries contain a number of woven secrets. Chevalier pulls those figurative threads in her narrative of the designer and weaver who brought the tapestries into being.

  • The cover of the book The Diving Bell and the Butterfly

    The Diving Bell and the Butterfly

    If you recovered from a coma only to discover that you had locked-in syndrome, you would no doubt be tempted to retreat within yourself. But French Elle editor Bauby chose the opposite: he used his left eye, the only part of his body not paralyzed, to dictate a memoir about his charmed life before the stroke and the daily experience of locked-in syndrome—including playing on the beach with his family and taking visitors at the Berck-sur-Mer hospital in northern France.

  • The cover of the book Les Misérables

    Les Misérables

    “I don’t know whether it will be read by everyone,” Hugo said of his 1,500-page tome, “but it is meant for everyone.” Though it’s set in Paris, the young revolutionaries’ rebellion sparks in the hearts of all readers, French and otherwise. You know how the musical “Les Mis,” with its anthemic songs, feels universal? It’s the same for the book that inspired it all.

  • The cover of the book The Count of Monte Cristo

    The Count of Monte Cristo

    Poor Edmond Dantès is in the wrong place at the wrong time: delivering a package to the exiled Napoleon Bonaparte has him accused of treason and exiled to the isolated, maddening Château d’If. But instead of wasting away in a distant prison, Dantès escapes and reinvents himself as the mysterious, charismatic Count of Monte Cristo. What follows is a classic tale of revenge, with Dantès weaseling his way back into the lives of everyone who betrayed him—including his best friend and fiancée—through psychological manipulation, poisoning, and the unearthing of old secrets.

  • The cover of the book The Da Vinci Code

    The Da Vinci Code

    Brown’s art-themed mystery is pulpy fun, with a distinctive opening for other mysteries to beat: a murdered curator posed like the Vitruvian Man in the Louvre. Anyone who’s gotten close enough to the Mona Lisa to try and divine her secrets will appreciate all of the Easter eggs scattered throughout ancient and modern Europe.