• The cover of the book Ghana Must Go

    Ghana Must Go

    One of the most remarkable novels to come out in recent years, Taiye Selasi refuses to fall into the trope of the poor-African-struggle novel. Selasi is more interested in a side of Nigeria and Ghana that the Western world is less often shown: the middle class. The family she portrays has lived in Nigeria, Ghana, and most recently the United States, where the children still live, though their parents, long-separated, do not. When the patriarch of the family unexpectedly dies in suburban Accra, the matriarch begs to gather her children around her, and they find one another in unexpected places—both literally, and where they are as relatively estranged adults.

  • The cover of the book A Little Life

    A Little Life

    Yanagihara’s tome is truly nothing short of a masterpiece. A huge book, it is worth every single moment you spend in its brick-like presence, especially as it seems like an amorphous thing, becoming lighter or heavier depending on where you are in the narrative. Centering around four men, Yanagihara’s expression of their feelings, their difficulties, the way they grow older—together and apart—is a true marvel, especially in a world that so often expects men to be stoic participants or constant perpetrators. From college to later middle age, follow Malcolm, Willem, J.B., and Jude into the depths of oblivion and the heights of passionate joy.

  • The cover of the book The Portable Dorothy Parker

    The Portable Dorothy Parker

    With wit, panache, and lots of zeal,
    Parker’s verses make you reel;
    Her stories will not leave you cold,
    Her characters are big and bold,
    Her criticism sharp and skillful,
    Unlike our rhymes (which are pitiful).

    In all seriousness, though, Parker’s portable version includes much of her work, though not all, and is great to rifle through when you need a short story, a verse or two, or a piece of searing-hot snark as a pick-me-up.

  • The cover of the book Great Expectations

    Great Expectations

    One of Dickens’ shorter books, it is no less amazing for its relatively brief length. In this book, Dickens deals with coming of age, as in many of his books, but with a far darker lens than usual. There is some humor here, as always, but Dickens’ main focus in this book is the disappointment that life can churn out. From the hero’s difficult journey in life to the people he meets—notably, Miss Havisham, a famous literary figure with her wedding clothes unchanged since the day she was left at the altar—to his own mistaken conclusions and their dire consequences, Great Expectations is a riveting story. It is also one that leaves you with plenty of heartache and not a little introspection.

  • The cover of the book Disgrace


    Coetzee is one of the most famed South African writers of our time and for good reason. Disgrace, one of his most famous novels, is a complex and beautiful thing. It portrays a dissatisfied, Byron-obsessed teacher, David Lurie, in Cape Town and can be read both as a political statement about post-Apartheid South Africa and as a rejection of any such statement, as it deals with both complete ruin and attempts at redemption but on a personal level. The novel explores Lurie’s sexual exploits, his attempts to distance himself from them, the apparently random violence he finds himself being subjected to, and the way he slowly tries to put the pieces of his life together. A novel of growing up late, and maybe learning to grow up in a different way and in a different world, Disgrace is well worth its Booker Prize.

  • The cover of the book Conundrum


    Jan Morris is one of the first famous transwomen in media. She made a name for herself as a travel writer and a historian who focused on the British Empire in a trilogy named Pax Britannica. While Conundrum is a relatively old book and perhaps some of the language in it is different than that used today in the trans community, it is nonetheless a powerful narrative of a woman who didn’t come out to great acclaim during a time of better understanding and more acceptance (relatively). Instead, James Morris came out at a time when the transfolk were even less understood or accepted. In her memoir from the 1970s, she discusses knowing from early childhood that she was not a boy but rather a girl. She had to divorce her wife in order to be accepted as a woman in Britain (though they divorced in title only, staying together and entering into a civil partnership legally in 2008).

  • The cover of the book Moby-Dick


    One of the big and scary books that you probably were supposed to read in college and maybe didn’t, it’s probably time to take the courage to read it now—especially as it’s not as scary as you think it is. In fact, Moby-Dick, which appears on quite a few of our lists is a worthy read because it deals with life in a universal way that may surprise you. Yes, there’s a chapter devoted entirely to different kinds of whales, but it’s a) more interesting than you may think, and b) actually very funny if you read it with the right lens. Something to remember when reading this book is that it doesn’t take itself as seriously as some of us take it today and that Ishmael, its narrator and thinly-veiled-mask-of-Melville, is both high-minded and philosophical and totally aware of how ridiculous that sometimes is. His story is also about running away from the “real world” and finding that the “real world” of human love and regret and pettiness is everywhere, even deep at sea (a reminder we all need sometimes).

  • The cover of the book Ficciones


    Borges, a long-revered Latin American writer, is best remembered for his short fiction. These stories are known for their strangeness, their obsession with reality and the little things that make it go sideways. In Ficciones, Borges’ most famous collection of short stories, has a bunch of recurring motifs, one of which is the idea of a labyrinth, which seems particularly fitting for a time in one’s life when one is feeling either on the brink of finding the center of things or utterly and completely lost. Many of Borges’ main characters carry his own name, giving an odd meta quality to his work, making it self-aware in a way that feels quite fitting for the kind of stories he tells. Literary greatness lies herein, and with this month marking 30 years since his death, it’s the perfect time to pick up his work.