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We all know how Darth Vader shared his big secret with Luke Skywalker, but what if he had delivered the news in a handwritten note instead?

In the riotously funny collection Dear Luke, We Need to Talk. Darth, John Moe finally reveals these lost notes alongside all the imagined letters, e-mails, text messages, and other correspondences your favorite pop culture icons never meant for you to see.

From The Walking Dead to The Wizard of Oz, from Billy Joel to Breaking Bad, no reference escapes Moe’s imaginative wit and keen sense of nostalgia. Read Captain James T. Kirk’s lost log entries and Yelp reviews of The Bates Motel and Cheers.

The most successful blending of mystery, historical intrigue and occult fantasy since Elizabeth Kostova’s The Historian.

“Inspired by an authenticated encounter between the family of Elizabeth Báthory and the occult superstars of the Elizabethan Era, John Dee and his protégé Edward Kelley . . . Defying pigeonholing into any single genre, Alexander’s brilliant and multilayered reimagining of the vampire mythos balances contemporary fantasy with erudite, yet accessible, historical fiction.” -J.D. Horn, author of the Witching Savannah series

In fifteenth-century Rome, the Borgia family is on the rise. Lucrezia’s father is named Pope Alexander VI, and he places his daughter and her brothers Cesare, Giovanni, and Goffredo in the jeweled splendor—and scandal—of his court.

From the Pope’s affairs with adolescent girls, to Cesare’s dangerous jealousy of anyone who inspires Lucrezia’s affections, to the ominous birth of a child conceived in secret, no Borgia can elude infamy. Book Two of The Borgias series continues with the story of Lucrezia: Some said she was an elegant seductress. Others swore she was an incestuous murderess.

Empire of Sin has been named a Publishers Weekly Top Ten History Book for Fall 2014. If you loved Erik Larson’s bestseller The Devil in the White City you must pick up this book!

From bestselling author Gary Krist, Empire of Sin is a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City.

Empire of Sin re-creates the remarkable story of New Orleans’ thirty-years war against itself, pitting the city’s elite “better half” against its powerful and long-entrenched underworld of vice, perversity, and crime.

By the time I was on the doorstep of thirty, I was in a job I’d grown to hate and had been married for four steady, if plodding, years to my college boyfriend Andrew.

“Sweet, predictable Andrew. While he had once been a wildly hilarious partier up for any crazy scheme at a moment’s notice,” writes Jessica Dorfman Jones, “now he loved nothing more than a night spent at home reading quietly and turning in early.

I tried my best to be equally content with his vision of a cozy and homely pas de deux, but inevitably, at least once a year, I would wind up running into the night to kick up my heels.”

For the author of Barracuda, inspiration comes from books – and classic cinema.

“Books come first but all the other arts also inspire and challenge a writer,” says Christos Tsiolkas.

“I recall seeing Breathless as a teenager, and the shock of Godard’s experimentation was so powerful that I could hardly get up from my seat at the end. The film introduced the jump cut into cinema, and the jump cut has been an important way for me to think about my own writing.”